If you see, he’s always in the background unless needed by Hari. Like Lord Shiva, he can happily sit in the cemetery, he does not seek validation or love. He is not a good guy, yes, but all the crime he commits is from his heart, not his head. Cinema is a process of personal exploration, so my writing was not trying to make them likeable, rather to make them human.Īs a man who destroys what has to be destroyed and then can go and play cricket. I may not have the courage to commit the crime they do, but if I can sit with them and understand them as they are, then maybe, it is a chance to understand myself more clearly. I’m not better than any character in the film. The woman he murders as a child might have been his mother, or some other woman. I never lent both characters any sense of morality. How did you manage to gift him audience sympathy? Shiva murders a woman when he’s a child and continues to murder into adulthood. These are technically lifeless objects, but when they take on life, the writer lives.Ī scene from 'Garuda Gamana Vrishabha Vahana' Something similar has happened with the RX 100. They feel they’ve discovered it, that it is part of their life. Does footwear have life? But, people have made that narrative their own.
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